Electro Bolero at the Théâtre du Châtelet’s Rave-L Party
The Théâtre du Châtelet shakes up conventions with the “Folies Musicales”, a daring festival where classical music dialogues with contemporary sounds. One of the most eagerly awaited events? A “Rave-L-Party” where Maurice Ravel is reinvented in an electro version.
A transgressive tribute to Maurice Ravel
On Sunday, March 23, 2025, the Théâtre du Châtelet opens its doors to a never-before-seen immersive experience: a rave in honor of Ravel. This composer, often perceived as one of the most rigorous classical figures, was in fact an avant-garde artist, constantly seeking to push back the boundaries of his time. This evening, Les Apaches, a collective of musicians and creators, pay tribute to this audacity with a fusion of classical and electronic music.
The highlight of this transgressive night is the reinterpretation of Boléro. The work, already iconic for its hypnotic construction and gradual build-up of power, begins with a jazz version from 1929, before switching to an explosive techno adaptation. For 45 minutes, the Châtelet auditorium is transformed into a veritable electro club, offering spectators total immersion in a universe where Ravel’s legacy vibrates to the rhythm of bass and synthetic layers.
Les Folies Musicales: an extraordinary festival
This Rave-L-Party marks the kick-off of a festival with a no-holds-barred attitude, where classical music reinvents itself and confronts unexpected genres. Les Folies Musicales, with its innovative concerts accessible to all (tickets from €5), promises to awaken the Théâtre du Châtelet with an eclectic program.
On March 25, cellist Christian-Pierre La Marca fuses his virtuosity with the breakdancing of world champion Yaman Okur in CELLO 360 BREAK. From Bach to the Beatles, this show promises a striking stylistic departure.
On March 23 at 3pm, accordionist Théo Ould offers a wild recital, in which this sometimes little-known instrument reinvents itself in both Baroque and contemporary registers.
On March 22, Thomas Hengelbrock will conduct a tribute to Latin American music, sublimated by the voice of Jacquelyn Wagner, while on March 24, soprano Patricia Petibon will embody three legendary queens in a lyrical program combining power and emotion.
When classical flirts with electro
With this program, the Théâtre du Châtelet confirms its status as a mecca for musical innovation. By offering a dialogue between eras and genres, it attracts a new audience, curious to discover classical music in a new light.
Also read: The Little Prince at the Atelier des Lumières
